Ah, Wordpress.
Let’s hear it for upgrading the whole site in like four clicks. Yes, ladies and gentleman, some serious shit goes on behind the scenes here at PSAA.
Let’s hear it for upgrading the whole site in like four clicks. Yes, ladies and gentleman, some serious shit goes on behind the scenes here at PSAA.
Our friends Jess and Josh over at Jess and Josh Talk About Stuff just moved into new digs at their own domain name. Be sure to go check them out; they’re both funny, talented writers. Oh, and Jess was recently quoted in an article on CNN online about Twitter, so that’s pretty cool too.
As promised, I am aiding in the piracy of music by giving you some free tunes via a mixtape. Assuming I don’t get lazy I’m expecting to this to be a somewhat occasional feature here at PSAA and I hope that Shawn-John will participate by uploading his own mixtapes as well in the future. I’m going to set the precedent now of having each mixtape henceforth be kept to fifteen tracks – no more, no less – and somewhat diverse (alternatively, perhaps kept with a theme.) The tracks you’ll find in the link below won’t come in any discernable order; here’s the one that I reccommend for playlist purposes:
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We decided to take the plunge. As you can see, we are now located at patrickandshawnareawesome.com.
1. Put the finishing touches on the song we’ve been working on recently. Spent a mere 20 minutes arranging a whole new introduction for it (which will actually be placed at the end of the previous track and lead abruptly into the song…cool shit.)
In other “my music”-related news, I still haven’t actually gotten to see but have been given a description of the cover that a friend of mine is doing for the record and it sounds like it’s gonna be fucking cool. I don’t need the artwork right away, so I told him not to rush his already busy schedule with it, but at the same time I’m really anxious and excited to see what it looks like. I have a great feeling about it. I probably won’t unveil it until after the record has been submitted to the various online music stores (iTunes, Amazon, RealPlayer Rhapsody, etc.) that it will be available on.
2. Bought tickets for Nine Inch Nails and Jane’s Addiction. Spent a little over $100 on my ticket, but I think it will be well worth it. I bought pre-sale, meaning I’ll be let in early by NIN’s own staff and probably get to be right on the rail.
Free new music from Nine Inch Nails, Jane’s Addiction and Street Sweeper at NIN/JA tour site!
I’m very excited today. After a night of in-apartment recording at my good friend Chris Barron’s place, we managed to get down most of an entire song. Everything sounded great but when we got to the vocals we realized that for this song we just don’t have a good enough mic. So I crashed there and this morning went with Chris to the School of Communication Arts (conveniently located four fucking seconds away from his apartment) and we talked to his audio production teacher, who told us to have me come in at 2PM this afternoon to do the vocals in a very expensive, professional-grade studio. I’ve never gotten to even set foot in a vocal booth before, let alone record in one, so this is a very exciting day for me. Moreover, the rest of the mix sounds great already and with some well-recorded it’s gonna turn out to sound pretty fucking fantastic.
And bonus – after this song is done (which it should be by this evening; there’s not a lot of mixing left to do) there will only be two songs left to record on my upcoming EP (one of which uh…still needs to be written…but you know, whatever.)
Your feelings for Trent Reznor or Nine Inch Nails itself aside, the man wrote a pretty interesting article on the current state of affairs in the concert ticket industry.
Here’s the rub: TicketMaster has essentially been a monopoly for many years – certainly up until Live Nation’s exclusive deal ran out. They could have (and can right now) stop the secondary market dead in its tracks by doing the following: limit the amount of sales per customer, print names on the tickets and require ID / ticket matches at the venue. We know this works because we do it for our pre-sales. Why don’t THEY do it? It’s obvious – they make a lot of money fueling the secondary market. TicketMaster even bought a re-seller site and often bounces you over to that site to buy tickets (TicketsNow.com)!